Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 13, 2013 | Sotheby's | New York | Contemporary Art Evening Auction | 26 | $****** - ****** | Liz #1 (Early Colored Liz) |
paintings
101.6 x 101.6 cm (40 x 40 in)
acrylic and silkscreen ink on canvas
signed on the stretcher
Stable Gallery, New York
Leo Castelli Gallery, New York (LC #75)
The Sonnabend Collection, New York
Acquired by the present owner from the above
Cincinnati, Contemporary Arts Center, An American Viewpoint, December 1963 - January 1964, cat. no. 19 (as Liz #1); Venice, Palazzo Grassi, Campo Vitale: mostra internazionale d'arte contemporanea, July - October 1967, cat. no. 253 (as Liz n. 2); London, Institute of Contemporary Arts, The Obsessive Image, April - May 1968, cat. no. 103; Turin, Galleria Civica d'Arte Moderna, New-Dada e Pop Art Newyorkesi, April - May 1969, cat. no. 71 (as Liz (Jaune ), and in error a different Liz was illustrated); Baltimore, The Baltimore Museum of Art, Extended Loan, May 1982 - March 2005; Hamburg, Deichtorhallen, Sammlung Sonnabend: Von der Pop-art bis heute, February - May 1996, p. 79, illustrated in color; Munich, Kunsthalle der Hypo-Kulturstiftung and Staatsgalerie moderner Kunst, Amerika-Europa, 1996, cat. no. 11, illustrated in color; Barcelona, Fundació Joan Miró, Andy Warhol: 1960 - 1986, September - December 1996, cat. no. 12, p. 79, illustrated in color; St.-Priest-en-Jarez, Musée dâart Moderne de Saint Ãtienne, Sonnabend Collection, May - June 1998; Humlebæk, Louisiana Museum für moderne kunst, Andy Warhol Og Hans Verden, April - July 2000, cat. no. 8, p. 23, illustrated in color (as Early Colored Liz); Riehen/Basel, Fondation Beyeler, Andy Warhol: Series and Singles, September - December 2000, cat. no. 34, p. 88, illustrated in color; Saratoga Springs, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College; Columbus, Wexner Center for the Arts at Ohio State University; Milwaukee, Milwaukee Art Museum, From Pop to Now: Selections from the Sonnabend Collection, June 2002 - May 2003, p. 29, illustrated in color (as Early Liz (Chartreuse)); Las Vegas, Guggenheim Hermitage Museum, American Pop Icons, May - November 2003, pl. 25, p. 73, illustrated in color and p. 118, illustrated in color; Milan, Triennale di Milano, The Andy Warhol Show, September 2004 - January 2005, cat. no. 13, p. 91, illustrated in color (as Early Colored Liz (Chartreuse)); New York, Gagosian Gallery, Warhol from the Sonnabend Collection, January - February 2009, p. 57, illustrated in color; Basel, Kunstmuseum Basel, Andy Warhol: The Early Sixties, Paintings and Drawings 1961-1964, September 2010 - January 2011, cat. no. 40, p. 163, illustrated in color ; New York, Gagosian Gallery, Warhol Liz, September - October 2011, p. 81, illustrated in color
Rainer Crone, Andy Warhol, New York, 1970, no. 85 ; Rainer Crone, Das Bildernerische Werk Andy Warhols, Berlin, 1976, no. 94; Exh. Cat., Zurich, Kunsthaus (and travelling), Andy Warhol, 1978, p. 85, illustrated in color (as Early Colored Liz); Georg Frei and Neil Printz, The Andy Warhol Catalogue Raisonné: Paintings and Sculpture 1961-1963, Vol. 01, New York, 2002, cat. no. 529, p. 453, illustrated in color ; Andy Warhol "Giant" Size, New York and London, 2006, p. 201, illustrated in color
